{"id":15225,"date":"2015-11-17T17:15:01","date_gmt":"2015-11-17T16:15:01","guid":{"rendered":"https:\/\/www.clemensfuhrbach.com\/clemens-fuhrbach-musician-und-author-from-cologne-germany\/"},"modified":"2026-04-10T16:35:36","modified_gmt":"2026-04-10T14:35:36","slug":"clemensfuhrbach","status":"publish","type":"page","link":"https:\/\/www.clemensfuhrbach.com\/en\/","title":{"rendered":"Clemens Fuhrbach"},"content":{"rendered":"<section  class='av_textblock_section av-mnslh4s9-4f1b9957d63cbdfd865e81425f850892 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><h1><span style=\"font-size: 22pt; color: #000000;\">About My Practice<\/span><\/h1>\n<p><span style=\"font-size: 18pt; line-height: 1.4;\">My work brings together literary scholarship, teaching, and artistic practice. It is centered on questions of language, power, identity, and social participation.<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: 15pt; line-height: 1.6;\">This website documents my academic and artistic work. It functions as a working site rather than a portfolio. Updates are made on an ongoing basis; individual projects are presented on dedicated pages.<\/span><\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-mnslhuyy-a0d3c13eb7671162bf837e04c36f7cea '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><h1><span style=\"font-size: 18pt; color: #000000;\">About My Practice<\/span><\/h1>\n<p><span style=\"font-size: 16pt; line-height: 1.5;\">My work brings together literary scholarship, teaching, and artistic practice. It is centered on questions of language, power, identity, and social participation.<\/span><\/p>\n<p><span style=\"font-size: 14pt; line-height: 1.6;\">This website documents my academic and artistic work. It functions as a working site rather than a portfolio. Updates are made on an ongoing basis; individual projects are presented on dedicated pages.<\/span><\/p>\n<\/div><\/section>\n<div  class='hr av-av_hr-91d7ccd583a503147498e120fee2ff9b hr-default  avia-builder-el-2  el_after_av_textblock  el_before_av_section  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='hallo'  class='avia-section av-av_section-df992f95fb3295ef4793494f680046c0 main_color avia-section-default avia-no-border-styling  avia-builder-el-3  el_after_av_hr  el_before_av_hr  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-15225'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_half-96501fd80a35062338c1cf15886b6bd3\">\n.flex_column.av-av_one_half-96501fd80a35062338c1cf15886b6bd3{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_half-96501fd80a35062338c1cf15886b6bd3 av_one_half  avia-builder-el-4  el_before_av_one_half  avia-builder-el-first  text-container first flex_column_div av-zero-column-padding  '     ><p><section  class='av_textblock_section av-av_textblock-65cae626d9e2b89a0ce1cff885ad55c5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><p><span style=\"font-size: 18pt;\">Du bist, wer du bist<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-av_textblock-ae81c4ec47cec86af7fbfc82b32cbe9d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><p><span style=\"font-size: 17pt;\">Du bist, wer du bist<\/span><\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_half-156296d68f173d802095c7ab15199e01\">\n.flex_column.av-av_one_half-156296d68f173d802095c7ab15199e01{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_half-156296d68f173d802095c7ab15199e01 av_one_half  avia-builder-el-7  el_after_av_one_half  avia-builder-el-last  text-container flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-av_textblock-65cae626d9e2b89a0ce1cff885ad55c5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><section><span style=\"line-height: 1.6; font-size: 16pt;\">Du bist der Fighter, drehst deine Runden.\u00a0Du atmest tief, formst das Ende, scharf wie ein Messer. UND SIE? Die checken nichts, die gucken nur, w\u00e4hrend du den Takt vorgibst. Sag ihnen: \u201eNicht mit mir!\u201c<\/span><\/section>\n<section>\n<div>\n<p><span style=\"line-height: 1.6; font-size: 16pt;\">Die Schule sagt dir, du brauchst Wissen, als w\u00e4r\u2019s der Schl\u00fcssel zum Gl\u00fcck. Aber wei\u00dft du was? Du gehst deinen eigenen Weg. Dein Wissen, das reicht \u2013 der Rest? Der kann warten. Und wenn der Lehrer dir sagt, du musst das wissen, um weiterzukommen, dann sagst Du:<\/span><\/p>\n<\/div>\n<\/section>\n<section>\n<div>\n<p><span style=\"line-height: 1.6; font-size: 16pt;\">\u201eWo bleibt der Platz f\u00fcr mich?\u201c<\/span><\/p>\n<\/div>\n<\/section>\n<section>\n<div>\n<p><span style=\"line-height: 1.6; font-size: 16pt;\">Die haben ihre Schablonen, ihre Regeln. Aber du? Du bist der, der mit den Ecken und Kanten. Der, der durchbricht, der in den Ecken gr\u00e4bt, wo andere nicht hinkommen. Du bist, wer du bist. Hinter deiner T\u00fcr steckt der wahre Schl\u00fcssel \u2013 und der passt nicht in ihre Welt. Du bist mehr als das, was sie sehen. Die alten Muster? Lass stecken. Dein Wert liegt in dem, was du aus dir machst. Wohin du gehst, bleibt dir \u00fcberlassen.<\/span><\/p>\n<\/div>\n<\/section>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-av_textblock-ae81c4ec47cec86af7fbfc82b32cbe9d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><section><span style=\"line-height: 1.6; font-size: 15pt;\">Du bist der Fighter, drehst deine Runden.\u00a0Du atmest tief, formst das Ende, scharf wie ein Messer. UND SIE? Die checken nichts, die gucken nur, w\u00e4hrend du den Takt vorgibst. Sag ihnen: \u201eNicht mit mir!\u201c<\/span><\/section>\n<\/div><\/section><\/p><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-15225'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-3b2307b683e43c7f5a7eb383cfb8815f\">\n#top .hr.hr-invisible.av-av_hr-3b2307b683e43c7f5a7eb383cfb8815f{\nheight:80px;\n}\n<\/style>\n<div  class='hr av-av_hr-3b2307b683e43c7f5a7eb383cfb8815f hr-invisible  avia-builder-el-10  el_after_av_section  el_before_av_one_full  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  id=\"forschung\"  class='flex_column av-av_one_full-731627a9e72505a15818d4d024e108a6 av_one_full  avia-builder-el-11  el_after_av_hr  el_before_av_one_fifth  first flex_column_div  '     ><section  class='av_textblock_section av-mnsloz1b-a0f6546f55be7b0a8c319f64312cc7b3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><h2><span style=\"color: #000000; line-height: 1.3;\">Research<\/span><\/h2>\n<p><span style=\"font-size: 16pt; line-height: 1.5;\">Research focuses on language as a political and social space, particularly at the intersection of literature, ethics, and digital culture.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-mnslp9ai-f7a1ef22e15efc81df7705fd97c69e14 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><h2><span style=\"color: #000000; line-height: 1.3;\">Research<\/span><\/h2>\n<p><span style=\"font-size: 16pt; line-height: 1.5;\">Research focuses on language as a political and social space, particularly at the intersection of literature, ethics, and digital culture.<\/span><\/p>\n<\/div><\/section><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_fifth-3036f15500fd4c2bc2b1b81ba9b12a7c\">\n.flex_column.av-av_one_fifth-3036f15500fd4c2bc2b1b81ba9b12a7c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_fifth-3036f15500fd4c2bc2b1b81ba9b12a7c av_one_fifth  avia-builder-el-14  el_after_av_one_full  el_before_av_two_fifth  text-container first av-break-at-tablet flex_column_div av-zero-column-padding  column-top-margin'     ><p><section  id=\"forschung\"  class='av_textblock_section av-mnsm0osd-3dd08a5d2c12f23f7e45ed6d9476613b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><p><span style=\"font-size: 13pt;\"><strong>Literary Studies<\/strong><\/span><\/p>\n<div>\n<ul>\n<li><span style=\"font-size: 13pt;\">German-language literature of the 20th century (incl. Heinrich B\u00f6ll)<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Polyphonic authorship and dialogicity<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Politics, language, and literature<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Literature and identity<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 13pt;\"><strong>Didactics<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 13pt;\">Media in German language education<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Artificial intelligence in education<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 13pt;\"><strong>German Studies<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 13pt;\">Communicative ethics (Arendt, Habermas, Benhabib)<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Discourse theory<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Gender Studies<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Digital literary and cultural studies<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 13pt;\"><strong>Activities &amp; Awards<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 13pt;\">Lectures and seminars at the University of Cologne, TU Dortmund University, and the University of Silesia in Katowice (Poland)<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Conference participation in the United States, Europe, and Germany<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Richeza Prize of the State of North Rhine\u2013Westphalia (2019)<\/span><\/li>\n<\/ul>\n<\/div>\n<section>\n<div>\n<section>\n<div>\n<p><span style=\"font-size: 13pt;\"><strong>Links<\/strong><\/span><\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n<ul>\n<li><span style=\"font-size: 13pt;\"><a href=\"https:\/\/idsl1.phil-fak.uni-koeln.de\/personen\/lehrende-a-z\/dr-clemens-fuhrbach\" target=\"_blank\" rel=\"noopener noreferrer\">University of Cologne website \u2192<\/a><\/span><\/li>\n<li><span style=\"font-size: 13pt;\"><a href=\"https:\/\/orcid.org\/0000-0001-9396-114X\" target=\"_blank\" rel=\"noopener noreferrer\">ORCID \u2192<\/a><\/span><\/li>\n<\/ul>\n<div><\/div>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-af89a52d51412774536fa272e468f7cd\">\n#top .hr.hr-invisible.av-av_hr-af89a52d51412774536fa272e468f7cd{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-av_hr-af89a52d51412774536fa272e468f7cd hr-invisible  avia-builder-el-16  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_two_fifth-156296d68f173d802095c7ab15199e01\">\n.flex_column.av-av_two_fifth-156296d68f173d802095c7ab15199e01{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_two_fifth-156296d68f173d802095c7ab15199e01 av_two_fifth  avia-builder-el-17  el_after_av_one_fifth  el_before_av_two_fifth  text-container av-break-at-tablet flex_column_div av-zero-column-padding  column-top-margin'     ><p><section  id=\"forschung\"  class='av_textblock_section av-mnsm2q3d-dadab098c6470b8da758df2e64030e5d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"color: #000000;\">Monograph<\/span><br \/>\n<span style=\"color: #000000;\"><span style=\"font-size: 21.3333px;\"><b>Polyphonic Authorship<\/b><\/span><\/span><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff\">\n#top .hr.hr-invisible.av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff{\nheight:5px;\n}\n<\/style>\n<div  class='hr av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff hr-invisible  avia-builder-el-19  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-f370877b5f2b973806f7560665b37ac2\">\n.avia-image-container.av-av_image-f370877b5f2b973806f7560665b37ac2 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-f370877b5f2b973806f7560665b37ac2 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-f370877b5f2b973806f7560665b37ac2 av-styling- avia-align-left  avia-builder-el-20  el_after_av_hr  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-15738 avia-img-lazy-loading-not-15738 avia_image ' src=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2023\/12\/Fuhrbach_PAS-Boell-Metzler-2024-Artwork-2-212x300.jpg\" alt='' title='Fuhrbach_PAS B\u00f6ll (Metzler 2024, Artwork, 2)'  height=\"300\" width=\"212\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2023\/12\/Fuhrbach_PAS-Boell-Metzler-2024-Artwork-2-212x300.jpg 212w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2023\/12\/Fuhrbach_PAS-Boell-Metzler-2024-Artwork-2-726x1030.jpg 726w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2023\/12\/Fuhrbach_PAS-Boell-Metzler-2024-Artwork-2-768x1089.jpg 768w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2023\/12\/Fuhrbach_PAS-Boell-Metzler-2024-Artwork-2-497x705.jpg 497w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2023\/12\/Fuhrbach_PAS-Boell-Metzler-2024-Artwork-2.jpg 827w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff\">\n#top .hr.hr-invisible.av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff{\nheight:5px;\n}\n<\/style>\n<div  class='hr av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff hr-invisible  avia-builder-el-21  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsm28xn-cc14f970ed1025e300e4ee08f7d40e23 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p data-start=\"479\" data-end=\"743\"><span style=\"color: #000000; font-size: 14pt;\">The book addresses readers interested in literature, language, and power. It brings together democratic theory, ethical, and dialogical approaches to develop a model of polyphonic authorship that connects literary multivoicedness with communicative rationality.<\/span><\/p>\n<p data-start=\"479\" data-end=\"743\"><span style=\"color: #000000; font-size: 12pt;\">J.B. Metzler, Berlin, 2023 (in German).<\/span><br \/>\n<span style=\"color: #000000; font-size: 12pt;\">ISBN: 978-3662684917<\/span><br \/>\n<span style=\"color: #000000; font-size: 12pt;\">DOI:\u00a0<a style=\"color: #000000;\" href=\"https:\/\/doi.org\/10.1007\/978-3-662-68492-4\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1007\/978-3-662-68492-4<\/a><\/span><\/p>\n<p><span style=\"color: #000000;\">Press: <\/span><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/lisa.gerda-henkel-stiftung.de\/interview_fuhrbach_polyphone_autorschaft\" target=\"_blank\" rel=\"noopener\">Press: Interview with Georgios Chatzoudis, in: Gerda Henkel Foundation (ed.), L.I.S.A. Academic Portal, published June 4, 2024\u00a0\u2192<\/a><\/span><\/p>\n<p><span style=\"color: #000000; font-size: 12pt;\"><a style=\"color: #000000;\" href=\"https:\/\/doi.org\/10.1007\/978-3-662-68492-4\" target=\"_blank\" rel=\"noopener\"> \u2192 <strong>Polyphonic Authorship<\/strong> at Springer Nature<\/a>\u00a0<\/span><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-33d586901e5b6d28580a1d1bd568b366\">\n#top .hr.hr-invisible.av-av_hr-33d586901e5b6d28580a1d1bd568b366{\nheight:70px;\n}\n<\/style>\n<div  class='hr av-av_hr-33d586901e5b6d28580a1d1bd568b366 hr-invisible  avia-builder-el-23  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsm61hd-73f17e99c84ec031e3722503624d195c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"color: #000000;\">Edited by Stefan Neuhaus\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"><span style=\"font-size: 21.3333px;\"><b>Rheinromantik<\/b><\/span><\/span><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff\">\n#top .hr.hr-invisible.av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff{\nheight:5px;\n}\n<\/style>\n<div  class='hr av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff hr-invisible  avia-builder-el-25  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-e863b127c8027482dd935e5e55ef4643\">\n.avia-image-container.av-av_image-e863b127c8027482dd935e5e55ef4643 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-e863b127c8027482dd935e5e55ef4643 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-e863b127c8027482dd935e5e55ef4643 av-styling- avia-align-left  avia-builder-el-26  el_after_av_hr  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-17138 avia-img-lazy-loading-not-17138 avia_image ' src=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/978-3-8260-9058-5-197x300.jpg\" alt='' title='Stefan Neuhaus (Hrsg.): Rheinromantik \u00a9 Verlag K\u00f6nigshausen &amp; Neumann'  height=\"300\" width=\"197\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/978-3-8260-9058-5-197x300.jpg 197w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/978-3-8260-9058-5.jpg 428w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff\">\n#top .hr.hr-invisible.av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff{\nheight:5px;\n}\n<\/style>\n<div  class='hr av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff hr-invisible  avia-builder-el-27  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsm83e3-fa4575451dc36a109aeee8d773098431 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p data-start=\"479\" data-end=\"743\"><span style=\"color: #000000; font-size: 14pt;\">The contribution examines the complex relationship between Heinrich B\u00f6ll\u2019s literary work and German concepts of home and identity. It focuses on the interplay of Romanticism and realism that characterizes B\u00f6ll\u2019s writing and raises the question of how literary spaces can function as sites of reflection and dialogue.<\/span><\/p>\n<p data-start=\"479\" data-end=\"743\"><span style=\"color: #000000; font-size: 12pt;\">K\u00f6nigshausen &amp;\u202fNeumann, W\u00fcrzburg, 2023 (in German).<\/span><br \/>\n<span style=\"color: #000000; font-size: 12pt;\">ISBN: 978-3-8260-9058-5<\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/verlag.koenigshausen-neumann.de\/product\/9783826090585-rheinromantik\/\" target=\"_blank\" rel=\"noopener\">\u2192 <strong>Rheinromantik<\/strong> at K\u00f6nigshausen &amp;\u202fNeumann<\/a><\/span><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-33d586901e5b6d28580a1d1bd568b366\">\n#top .hr.hr-invisible.av-av_hr-33d586901e5b6d28580a1d1bd568b366{\nheight:70px;\n}\n<\/style>\n<div  class='hr av-av_hr-33d586901e5b6d28580a1d1bd568b366 hr-invisible  avia-builder-el-29  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsmd4qi-865f28054a1176be487ef9e890351254 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"color: #000000;\">Yearbook<\/span><br \/>\n<span style=\"color: #000000;\">Edited by H\u00e4ntzschel et al.<\/span><br \/>\n<strong><span style=\"color: #000000; font-size: 16pt; line-height: 1.6;\">treibhaus\u00a0<em>Alfred Andersch<\/em><\/span><\/strong><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff\">\n#top .hr.hr-invisible.av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff{\nheight:5px;\n}\n<\/style>\n<div  class='hr av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff hr-invisible  avia-builder-el-31  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-2857c0eca91b9617051741e1eb059c0f\">\n.avia-image-container.av-av_image-2857c0eca91b9617051741e1eb059c0f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-2857c0eca91b9617051741e1eb059c0f .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-2857c0eca91b9617051741e1eb059c0f av-styling- avia-align-left  avia-builder-el-32  el_after_av_hr  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-17139 avia-img-lazy-loading-not-17139 avia_image ' src=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-211x300.jpg\" alt='treibhaus 2025 &quot;Alfred Andersch&quot; \u00a9 edition text + kritik' title='treibhaus 2025 &quot;Alfred Andersch&quot; \u00a9 edition text + kritik'  height=\"300\" width=\"211\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-211x300.jpg 211w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-723x1030.jpg 723w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-768x1094.jpg 768w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-1079x1536.jpg 1079w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-1053x1500.jpg 1053w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross-495x705.jpg 495w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2026\/03\/Andersch_treibhaus_Cover_Gross.jpg 1189w\" sizes=\"(max-width: 211px) 100vw, 211px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff\">\n#top .hr.hr-invisible.av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff{\nheight:5px;\n}\n<\/style>\n<div  class='hr av-av_hr-5f9127d70bf6ae85cf75cf59fbd5e7ff hr-invisible  avia-builder-el-33  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsmgylw-e1c0d927ca86a6404a8ab134a541ea7d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><section>\n<section>\n<blockquote>\n<p><span style=\"color: #000000;\"><em>\u201eIm Gegensatz zu anderen Versuchen ist dieses Jahrbuch ein Musterbeispiel daf\u00fcr, wie man sich der neueren Literaturgeschichte n\u00e4hern sollte.\u201c<\/em><\/span><\/p>\n<\/blockquote>\n<p><span style=\"color: #000000; font-size: 14pt;\">Helmut B\u00f6ttiger on the 20th volume of treibhaus \u2013 Yearbook for the Literature of the 1950s<\/span><\/p>\n<p><span style=\"color: #000000; font-size: 14pt;\">The anniversary volume is dedicated to the author Alfred Andersch and brings together contributions on the literary and cultural history of the postwar period. The contribution examines the relationship between Alfred Andersch and Heinrich B\u00f6ll.<\/span><\/p>\n<p><span style=\"color: #000000;\">edition text+kritik, M\u00fcnchen, 2024 (in German).<\/span><br \/>\n<span style=\"color: #000000;\">ISBN: 978-3-96707-701-8<\/span><\/p>\n<p><span style=\"color: #000000;\">Review: <a style=\"color: #000000;\" href=\"https:\/\/bilder.deutschlandfunk.de\/b5\/00\/79\/f5\/b50079f5-5bf7-4b52-a77d-6bcef4678c8d\/treibhaus-alfred-andersch-100.pdf\" target=\"_blank\" rel=\"noopener\">Helmut B\u00f6ttiger, \u201cDer Skandalautor, endlich differenziert,\u201d Deutschlandfunk Kultur, Lesart, December 23, 2024 (accessed April 13, 2025) \u2192<\/a><\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.etk-muenchen.de\/search\/Details.aspx?sid=UH457&amp;sort=6&amp;sname=treibhaus&amp;ISBN=9783967077018\" target=\"_blank\" rel=\"noopener\">\u2192 <strong>treibhaus<\/strong> \u2013 <em>Alfred Andersch<\/em> at edition text + kritik<\/a><\/span><\/p>\n<\/section>\n<\/section>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-33d586901e5b6d28580a1d1bd568b366\">\n#top .hr.hr-invisible.av-av_hr-33d586901e5b6d28580a1d1bd568b366{\nheight:70px;\n}\n<\/style>\n<div  class='hr av-av_hr-33d586901e5b6d28580a1d1bd568b366 hr-invisible  avia-builder-el-35  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsml7ax-8a98477379e9b89464a4b704df286504 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><h3><span style=\"color: #000000; line-height: 1.3;\">Additional Information<\/span><\/h3>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mnsmn1xq-85349212c6cde0303eb614fdd9d911e7\">\n#top .togglecontainer.av-mnsmn1xq-85349212c6cde0303eb614fdd9d911e7 h3.toggler{\nfont-size:17px;\ncolor:#000000;\nbackground-color:#ffffff;\nborder-color:#ffffff;\n}\n#top .togglecontainer.av-mnsmn1xq-85349212c6cde0303eb614fdd9d911e7 h3.toggler .toggle_icon{\ncolor:#0000ff;\nborder-color:#0000ff;\n}\n#top .togglecontainer.av-mnsmn1xq-85349212c6cde0303eb614fdd9d911e7 h3.toggler .toggle_icon > span{\ncolor:#0000ff;\nborder-color:#0000ff;\n}\n#top .togglecontainer.av-mnsmn1xq-85349212c6cde0303eb614fdd9d911e7 .toggle_wrap .toggle_content{\nfont-size:15px;\ncolor:#000000;\nbackground-color:#ffffff;\nborder-color:#ffffff;\n}\n<\/style>\n<div  class='togglecontainer av-mnsmn1xq-85349212c6cde0303eb614fdd9d911e7 av-minimal-toggle  avia-builder-el-37  el_after_av_textblock  el_before_av_hr  av-desktop-hide av-medium-hide av-small-hide toggle_close_all' >\n<section class='av_toggle_section av-mnsmm8pj-7b8bf5ebe7c556f18e8b033242a8e1f1'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><h3 id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above av-inherit-border-color'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"Fields &amp; Activities\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Fields &amp; Activities\" data-aria_expanded=\"Click to collapse: Fields &amp; Activities\">Fields &amp; Activities<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/h3><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color av-inherit-border-color'  itemprop=\"text\" ><p><span style=\"font-size: 13pt;\"><strong>Literary Studies<\/strong><\/span><\/p>\n<div>\n<ul>\n<li><span style=\"font-size: 13pt;\">German-language literature of the 20th century (incl. Heinrich B\u00f6ll)<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Polyphonic authorship and dialogicity<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Politics, language, and literature<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Literature and identity<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 13pt;\"><strong>Didactics<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 13pt;\">Media in German language education<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Artificial intelligence in education<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 13pt;\"><strong>German Studies<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 13pt;\">Communicative ethics (Arendt, Habermas, Benhabib)<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Discourse theory<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Gender Studies<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Digital literary and cultural studies<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 13pt;\"><strong>Activities &amp; Awards<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 13pt;\">Lectures and seminars at the University of Cologne, TU Dortmund University, and the University of Silesia in Katowice (Poland)<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Conference participation in the United States, Europe, and Germany<\/span><\/li>\n<li><span style=\"font-size: 13pt;\">Richeza Prize of the State of North Rhine\u2013Westphalia (2019)<\/span><\/li>\n<\/ul>\n<\/div>\n<section>\n<div>\n<section>\n<div><\/div>\n<\/section>\n<\/div>\n<\/section>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mnsmmzhu-93edbad3b37664a744c221ff58c07abe'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><h3 id='toggle-toggle-id-2' data-fake-id='#toggle-id-2' class='toggler  av-title-above av-inherit-border-color'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-2' data-slide-speed=\"200\" data-title=\"Articles\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Articles\" data-aria_expanded=\"Click to collapse: Articles\">Articles<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/h3><div id='toggle-id-2' aria-labelledby='toggle-toggle-id-2' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color av-inherit-border-color'  itemprop=\"text\" ><ul>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Meat Is No Vegetable \u2013 Gender Trouble in Heinz Strunk<\/strong><br \/>\nFleisch ist kein Gem\u00fcse \u2013 Gender Trouble bei Heinz Strunk<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.verlagdrkovac.de\/978-3-339-14542-0.htm#tab-biblio\" target=\"_blank\" rel=\"noopener\">In: Andrea Susanne Stancu und Ioana Constantin (Hrsg.): Ein Fest f\u00fcr die Sinne: \u00dcber das Essen und das Trinken in der Literatur, Verlag Dr. Kova\u010d: Hamburg 2026\u00a0\u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>From the Realism of the Rhine to the Dialogical Homeland \u2013 Clemens Brentano and the Reception of Romanticism in Heinrich B\u00f6ll\u2019s Work<\/strong><br \/>\nVom Realismus des Rheins zur dialogischen Heimat \u2013 Clemens Brentano und die Rezeption der Romantik im Werk Heinrich B\u00f6lls<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/verlag.koenigshausen-neumann.de\/product\/9783826090585-rheinromantik\/\" target=\"_blank\" rel=\"noopener\">In: Stefan Neuhaus (Hrsg.): Rheinromantik, K\u00f6nigshausen &amp; Neumann: W\u00fcrzburg 2025, S. 325-342 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Fragment on Heine by Ferdinand Lion in the Journal <em>Das Goldene Tor<\/em><\/strong><br \/>\nDas\u00a0<em>Fragment \u00fcber Heine\u00a0<\/em>von Ferdinand Lion in der Zeitschrift\u00a0<em>Das Goldene Tor<\/em><br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.etk-muenchen.de\/search\/Details.aspx?SeriesID=UH457&amp;ISBN=9783689301255\" target=\"_blank\" rel=\"noopener\">In: G\u00fcnter H\u00e4ntzschel, Sven Hanuschek und Ulrike Leuschner (Hrsg.): treibhaus. Jahrbuch f\u00fcr die Literatur der f\u00fcnfziger Jahre, Band 21, Titel des Bandes \u201eKleine Formen literarischer Prosa\u201c, edition text + kritik: M\u00fcnchen 2025, S. 217-233 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>In Dialogue with the City \u2013 Language and Homeland in the Self\u2011Representation of Wolfgang Niedecken and in the Songs of BAP<\/strong><br \/>\nIm Dialog mit der Stadt \u2013 Sprache und Heimat in der Selbstdarstellung von \u203aWolfgang Niedecken\u2039 und in den Liedern von BAP<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/verlag.koenigshausen-neumann.de\/product\/9783826083266-stadtleben\/\" target=\"_blank\" rel=\"noopener\">In: Klaus Schenk und Jano Sobottka (Hrsg.): StadtLeben. Urbanit\u00e4t \u2013 Autobiographik \u2013 Narration, K\u00f6nigshausen &amp; Neumann: W\u00fcrzburg 2025 (in Vorbereitung)<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Melancholic Luxury of Reflection in Literature \u2013 Resonances of the \u201cZero Hour\u201d in Alfred Andersch and Heinrich B\u00f6ll<\/strong><br \/>\nDer schwerm\u00fctige Luxus des Nachdenkens in der Literatur \u2013 Resonanzen der \u203aStunde Null\u2039 bei Alfred Andersch und Heinrich B\u00f6ll<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.etk-muenchen.de\/search\/Details.aspx?sid=UH457&amp;sort=6&amp;sname=treibhaus&amp;ISBN=9783967077018\" target=\"_blank\" rel=\"noopener\">In: G\u00fcnter H\u00e4ntzschel, Sven Hanuschek und Ulrike Leuschner (Hrsg.): treibhaus. Jahrbuch f\u00fcr die Literatur der f\u00fcnfziger Jahre, Band 20, Titel des Bandes \u201eAlfred Andersch\u201c, edition text + kritik 2024, S. 243-273\u00a0\u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Can Heroes Be Misfits? Narratives of the \u201cFeminine\u201d in Heinrich B\u00f6ll\u2019s Novel <em>Gruppenbild mit Dame<\/em> and in the Film Adaptation Starring Romy Schneider<\/strong><br \/>\nD\u00fcrfen Helden Au\u00dfenseiter sein? \u2013 Narrative des \u203aWeiblichen\u2039 im Roman <em>Gruppenbild mit Dame<\/em>\u00a0von Heinrich B\u00f6ll und im gleichnamigen Film mit Romy Schneider<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/germanistik.unitbv.ro\/wp-content\/uploads\/2024\/06\/3.Fuhrbach2024.pdf\" target=\"_blank\" rel=\"noopener\">In: Delia Cot\u00e2rlea und Carmen Elisabeth Puchianu (Hrsg.): Alles Helden, oder was? Paradigmen, Perspektiven, Traditionen und Tendenzen in Kultur, Kunst, Literatur und Sprache, Kronst\u00e4dter Beitr\u00e4ge zur Germanistik, Band 24, Verlag Karl Stutz: Passau 2024, S. 39-54 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Talking to the Self \u2013 The \u201cI\u201d as a Dialogical Space and as a Boundary in <em>What Remains<\/em> by Christa Wolf<\/strong><br \/>\nBesprechungen mit dem Selbst \u2013 Das \u203aIch\u2039 als dialogischer Grenzraum in der Erz\u00e4hlung\u00a0<em>Was bleibt<\/em>\u00a0von Christa Wolf<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.vr-elibrary.de\/doi\/pdf\/10.14220\/9783737014960\" target=\"_blank\" rel=\"noopener\">In: Nina Nowara-Matusik (Hrsg.): Unter dem Signum der Grenze. Literarische Reflexe einer (aktuellen) Denkfigur, V&amp;R unipress: G\u00f6ttingen 2022, S. 51-64 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Communication as Socialization and as a Failure of Society to Manage Modernity in <em>The Black Obelisk<\/em> by Erich Maria Remarque<\/strong><\/span><br \/>\nKommunikative Vergesellschaftung als sprachlicher Prozess und als Scheitern der b\u00fcrgerlichen Gesellschaft an der Moderne im Roman\u00a0<em>Der schwarze Obelisk<\/em>\u00a0von Erich Maria Remarque<br \/>\n<span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.vr-elibrary.de\/doi\/10.14220\/9783737013987.165\" target=\"_blank\" rel=\"noopener\">In: Thomas F. Schneider [et al.]: Erich Maria Remarque aus heutiger Sicht. Erich Maria Remarque Jahrbuch, V&amp;R Unipress: Osnabr\u00fcck 2021, S. 165-182 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Figure \u201cHeinrich B\u00f6ll\u201d as an Example of Polyphonic Identity<\/strong><br \/>\nPolyphone Identit\u00e4tskonstruktion am Beispiel der Figur \u203aHeinrich B\u00f6ll\u2039<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/elibrary.narr.digital\/book\/10.24053\/9783772057229-0\" target=\"_blank\" rel=\"noopener\"> In: Hermann G\u00e4tje und Sikander Singh (Hrsg.): Identit\u00e4tskonzepte in der Literatur, Francke-Verlag: T\u00fcbingen 2021, S. 277-288 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Shared Texts as Social Experience in German Classes \u2013 Collaborative Writing as a Principle of Hybrid Didactics<\/strong><br \/>\nDer gemeinsame Text als soziale Erfahrung im Deutschunterricht \u2013 kollaboratives Arbeiten und kooperatives Schreiben als Prinzip einer hybriden Didaktik<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.journals.us.edu.pl\/index.php\/wss\/article\/view\/11597\" target=\"_blank\" rel=\"noopener\">In: Nina Nowara-Matusik und Mariusz Jakosz (Hrsg.): Wortfolge, Nr. 5, Schlesische Universit\u00e4t Katowice: Sosnowiec 2021, S. 1-21 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Language and Violence in Heinz Strunk\u2019s <em>The Golden Glove<\/em><\/strong><br \/>\nSprache und Gewalt in Heinz Strunks\u00a0<em>Der goldene Handschuh<\/em><br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.journals.us.edu.pl\/index.php\/wss\/article\/view\/10426\" target=\"_blank\" rel=\"noopener\">In: Nina Nowara-Matusik (Hrsg.): Wortfolge, Nr. 4, Schlesische Universit\u00e4t Katowice: Sosnowiec 2020, S. 1-32 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Crossing Borders as a Linguistic Principle in Heinrich B\u00f6ll\u2019s Radio Play <em>Hausfriedensbruch<\/em> (\u201cTrespassing\u201d)<\/strong><br \/>\nDie Grenz\u00fcberschreitung als Prinzip in der Sprache von Heinrich B\u00f6lls H\u00f6rspiel\u00a0<em>Hausfriedensbruch<\/em><br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/doi.org\/10.3726\/b17367\" target=\"_blank\" rel=\"noopener\">In: Agata Mirecka und Natalia Fuhry (Hrsg.): Zwischen Harmonie und Konflikt. Paarbeziehungen im europ\u00e4ischen Theater des 20. und 21. Jahrhunderts, Reihe Warschauer Studien zur Kultur- und Literaturwissenschaft, Peter Lang: Berlin [u.a.] 2020, S. 97-108 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Being Free Means Singing Freely \u2013 Political Songs from the Vorm\u00e4rz to the Present<\/strong><br \/>\nFrei zu sein, hei\u00dft, frei zu singen \u2013 das politische Lied vom \u201aVorm\u00e4rz\u2018 bis in die Gegenwart<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.wuw.pl\/product-pol-12396-Literatura-a-polityka-Literatur-und-Politik-Tom-5-EBOOK.html\" target=\"_blank\" rel=\"noopener\">In: Joanna Godlewicz-Adamiec und Tomasz Szybisty (Hrsg.): Literatura a polityka \/ Literatur und Politik, Verlag der Universit\u00e4t Warschau: Warschau 2020, S. 141-154 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Author \u201cB\u00f6ll\u201d between Privacy and the Public Sphere \u2013 Toward a New Concept of Contemporaneity<\/strong><br \/>\nDer private \u203aB\u00f6ll\u2039 als Autor der \u00d6ffentlichkeit. Von \u00bbZeitgenossenschaft\u00ab zu \u203aZeitgenossenschaft\u2039<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.vandenhoeck-ruprecht-verlage.com\/themen-entdecken\/literatur-sprach-und-kulturwissenschaften\/germanistik\/neuere-deutsche-literaturwissenschaft\/27531\/politischen-konjunkturen-zum-trotz?c=1745\" target=\"_blank\" rel=\"noopener\">In: Renata Dampc-Jarosz und Pawel Zimniak (Hrsg.): Politischen Konjunkturen zum Trotz. Heinrich B\u00f6lls Wirklichkeitsrepr\u00e4sentationen, Studien zum 100. Geburtstag des Schriftstellers, Formen der Erinnerung, Band 67, herausgegeben von J\u00fcrgen Reulecke und Birgit Neumann, V&amp;R unipress: G\u00f6ttingen 2018, S. 71-84 \u2192<\/a><\/span><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-mnsmmi3p-eaef3490f3d7a14ed020260cc3b75c49'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{All} \"  ><h3 id='toggle-toggle-id-3' data-fake-id='#toggle-id-3' class='toggler  av-title-above av-inherit-border-color'  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-3' data-slide-speed=\"200\" data-title=\"Links\" data-title-open=\"\" data-aria_collapsed=\"Click to expand: Links\" data-aria_expanded=\"Click to collapse: Links\">Links<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/h3><div id='toggle-id-3' aria-labelledby='toggle-toggle-id-3' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color av-inherit-border-color'  itemprop=\"text\" ><section><\/section>\n<ul>\n<li><span style=\"font-size: 13pt;\"><a href=\"https:\/\/idsl1.phil-fak.uni-koeln.de\/personen\/lehrende-a-z\/dr-clemens-fuhrbach\" target=\"_blank\" rel=\"noopener noreferrer\">University of Cologne website \u2192<\/a><\/span><\/li>\n<li><span style=\"font-size: 13pt;\"><a href=\"https:\/\/orcid.org\/0000-0001-9396-114X\" target=\"_blank\" rel=\"noopener noreferrer\">ORCID \u2192<\/a><\/span><\/li>\n<\/ul>\n<div><\/div>\n<\/div><\/div><\/div><\/section>\n<\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-33d586901e5b6d28580a1d1bd568b366\">\n#top .hr.hr-invisible.av-av_hr-33d586901e5b6d28580a1d1bd568b366{\nheight:70px;\n}\n<\/style>\n<div  class='hr av-av_hr-33d586901e5b6d28580a1d1bd568b366 hr-invisible  avia-builder-el-38  el_after_av_toggle_container  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_two_fifth-156296d68f173d802095c7ab15199e01\">\n.flex_column.av-av_two_fifth-156296d68f173d802095c7ab15199e01{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_two_fifth-156296d68f173d802095c7ab15199e01 av_two_fifth  avia-builder-el-39  el_after_av_two_fifth  el_before_av_hr  text-container av-break-at-tablet flex_column_div av-zero-column-padding  column-top-margin'     ><section  id=\"forschung\"  class='av_textblock_section av-mnsnaup5-f3203bcd4120f6b674a26fac37e4ec87 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><section>\n<div><span style=\"color: #000000;\"><strong>Articles\u00a0<\/strong><\/span><\/div>\n<\/section>\n<section class=\"av_textblock_section av-2ogu-00c872e9e1dc86918ee09e9ed5e961c9 \">\n<div class=\"avia_textblock publikationenstartseite\">\n<ul>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Meat Is No Vegetable \u2013 Gender Trouble in Heinz Strunk<\/strong><br \/>\nFleisch ist kein Gem\u00fcse \u2013 Gender Trouble bei Heinz Strunk<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.verlagdrkovac.de\/978-3-339-14542-0.htm#tab-biblio\" target=\"_blank\" rel=\"noopener\">In: Andrea Susanne Stancu und Ioana Constantin (Hrsg.): Ein Fest f\u00fcr die Sinne: \u00dcber das Essen und das Trinken in der Literatur, Verlag Dr. Kova\u010d: Hamburg 2026\u00a0\u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>From the Realism of the Rhine to the Dialogical Homeland \u2013 Clemens Brentano and the Reception of Romanticism in Heinrich B\u00f6ll\u2019s Work<\/strong><br \/>\nVom Realismus des Rheins zur dialogischen Heimat \u2013 Clemens Brentano und die Rezeption der Romantik im Werk Heinrich B\u00f6lls<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/verlag.koenigshausen-neumann.de\/product\/9783826090585-rheinromantik\/\" target=\"_blank\" rel=\"noopener\">In: Stefan Neuhaus (Hrsg.): Rheinromantik, K\u00f6nigshausen &amp; Neumann: W\u00fcrzburg 2025, S. 325-342 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Fragment on Heine by Ferdinand Lion in the Journal <em>Das Goldene Tor<\/em><\/strong><br \/>\nDas\u00a0<em>Fragment \u00fcber Heine\u00a0<\/em>von Ferdinand Lion in der Zeitschrift\u00a0<em>Das Goldene Tor<\/em><br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.etk-muenchen.de\/search\/Details.aspx?SeriesID=UH457&amp;ISBN=9783689301255\" target=\"_blank\" rel=\"noopener\">In: G\u00fcnter H\u00e4ntzschel, Sven Hanuschek und Ulrike Leuschner (Hrsg.): treibhaus. Jahrbuch f\u00fcr die Literatur der f\u00fcnfziger Jahre, Band 21, Titel des Bandes \u201eKleine Formen literarischer Prosa\u201c, edition text + kritik: M\u00fcnchen 2025, S. 217-233 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>In Dialogue with the City \u2013 Language and Homeland in the Self\u2011Representation of Wolfgang Niedecken and in the Songs of BAP<\/strong><br \/>\nIm Dialog mit der Stadt \u2013 Sprache und Heimat in der Selbstdarstellung von \u203aWolfgang Niedecken\u2039 und in den Liedern von BAP<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/verlag.koenigshausen-neumann.de\/product\/9783826083266-stadtleben\/\" target=\"_blank\" rel=\"noopener\">In: Klaus Schenk und Jano Sobottka (Hrsg.): StadtLeben. Urbanit\u00e4t \u2013 Autobiographik \u2013 Narration, K\u00f6nigshausen &amp; Neumann: W\u00fcrzburg 2025 (in Vorbereitung)<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Melancholic Luxury of Reflection in Literature \u2013 Resonances of the \u201cZero Hour\u201d in Alfred Andersch and Heinrich B\u00f6ll<\/strong><br \/>\nDer schwerm\u00fctige Luxus des Nachdenkens in der Literatur \u2013 Resonanzen der \u203aStunde Null\u2039 bei Alfred Andersch und Heinrich B\u00f6ll<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.etk-muenchen.de\/search\/Details.aspx?sid=UH457&amp;sort=6&amp;sname=treibhaus&amp;ISBN=9783967077018\" target=\"_blank\" rel=\"noopener\">In: G\u00fcnter H\u00e4ntzschel, Sven Hanuschek und Ulrike Leuschner (Hrsg.): treibhaus. Jahrbuch f\u00fcr die Literatur der f\u00fcnfziger Jahre, Band 20, Titel des Bandes \u201eAlfred Andersch\u201c, edition text + kritik 2024, S. 243-273\u00a0\u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Can Heroes Be Misfits? Narratives of the \u201cFeminine\u201d in Heinrich B\u00f6ll\u2019s Novel <em>Gruppenbild mit Dame<\/em> and in the Film Adaptation Starring Romy Schneider<\/strong><br \/>\nD\u00fcrfen Helden Au\u00dfenseiter sein? \u2013 Narrative des \u203aWeiblichen\u2039 im Roman <em>Gruppenbild mit Dame<\/em>\u00a0von Heinrich B\u00f6ll und im gleichnamigen Film mit Romy Schneider<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/germanistik.unitbv.ro\/wp-content\/uploads\/2024\/06\/3.Fuhrbach2024.pdf\" target=\"_blank\" rel=\"noopener\">In: Delia Cot\u00e2rlea und Carmen Elisabeth Puchianu (Hrsg.): Alles Helden, oder was? Paradigmen, Perspektiven, Traditionen und Tendenzen in Kultur, Kunst, Literatur und Sprache, Kronst\u00e4dter Beitr\u00e4ge zur Germanistik, Band 24, Verlag Karl Stutz: Passau 2024, S. 39-54 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Talking to the Self \u2013 The \u201cI\u201d as a Dialogical Space and as a Boundary in <em>What Remains<\/em> by Christa Wolf<\/strong><br \/>\nBesprechungen mit dem Selbst \u2013 Das \u203aIch\u2039 als dialogischer Grenzraum in der Erz\u00e4hlung\u00a0<em>Was bleibt<\/em>\u00a0von Christa Wolf<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.vr-elibrary.de\/doi\/pdf\/10.14220\/9783737014960\" target=\"_blank\" rel=\"noopener\">In: Nina Nowara-Matusik (Hrsg.): Unter dem Signum der Grenze. Literarische Reflexe einer (aktuellen) Denkfigur, V&amp;R unipress: G\u00f6ttingen 2022, S. 51-64 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Communication as Socialization and as a Failure of Society to Manage Modernity in <em>The Black Obelisk<\/em> by Erich Maria Remarque<\/strong><\/span><br \/>\nKommunikative Vergesellschaftung als sprachlicher Prozess und als Scheitern der b\u00fcrgerlichen Gesellschaft an der Moderne im Roman\u00a0<em>Der schwarze Obelisk<\/em>\u00a0von Erich Maria Remarque<br \/>\n<span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.vr-elibrary.de\/doi\/10.14220\/9783737013987.165\" target=\"_blank\" rel=\"noopener\">In: Thomas F. Schneider [et al.]: Erich Maria Remarque aus heutiger Sicht. Erich Maria Remarque Jahrbuch, V&amp;R Unipress: Osnabr\u00fcck 2021, S. 165-182 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Figure \u201cHeinrich B\u00f6ll\u201d as an Example of Polyphonic Identity<\/strong><br \/>\nPolyphone Identit\u00e4tskonstruktion am Beispiel der Figur \u203aHeinrich B\u00f6ll\u2039<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/elibrary.narr.digital\/book\/10.24053\/9783772057229-0\" target=\"_blank\" rel=\"noopener\"> In: Hermann G\u00e4tje und Sikander Singh (Hrsg.): Identit\u00e4tskonzepte in der Literatur, Francke-Verlag: T\u00fcbingen 2021, S. 277-288 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Shared Texts as Social Experience in German Classes \u2013 Collaborative Writing as a Principle of Hybrid Didactics<\/strong><br \/>\nDer gemeinsame Text als soziale Erfahrung im Deutschunterricht \u2013 kollaboratives Arbeiten und kooperatives Schreiben als Prinzip einer hybriden Didaktik<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.journals.us.edu.pl\/index.php\/wss\/article\/view\/11597\" target=\"_blank\" rel=\"noopener\">In: Nina Nowara-Matusik und Mariusz Jakosz (Hrsg.): Wortfolge, Nr. 5, Schlesische Universit\u00e4t Katowice: Sosnowiec 2021, S. 1-21 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Language and Violence in Heinz Strunk\u2019s <em>The Golden Glove<\/em><\/strong><br \/>\nSprache und Gewalt in Heinz Strunks\u00a0<em>Der goldene Handschuh<\/em><br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.journals.us.edu.pl\/index.php\/wss\/article\/view\/10426\" target=\"_blank\" rel=\"noopener\">In: Nina Nowara-Matusik (Hrsg.): Wortfolge, Nr. 4, Schlesische Universit\u00e4t Katowice: Sosnowiec 2020, S. 1-32 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Crossing Borders as a Linguistic Principle in Heinrich B\u00f6ll\u2019s Radio Play <em>Hausfriedensbruch<\/em> (\u201cTrespassing\u201d)<\/strong><br \/>\nDie Grenz\u00fcberschreitung als Prinzip in der Sprache von Heinrich B\u00f6lls H\u00f6rspiel\u00a0<em>Hausfriedensbruch<\/em><br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/doi.org\/10.3726\/b17367\" target=\"_blank\" rel=\"noopener\">In: Agata Mirecka und Natalia Fuhry (Hrsg.): Zwischen Harmonie und Konflikt. Paarbeziehungen im europ\u00e4ischen Theater des 20. und 21. Jahrhunderts, Reihe Warschauer Studien zur Kultur- und Literaturwissenschaft, Peter Lang: Berlin [u.a.] 2020, S. 97-108 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>Being Free Means Singing Freely \u2013 Political Songs from the Vorm\u00e4rz to the Present<\/strong><br \/>\nFrei zu sein, hei\u00dft, frei zu singen \u2013 das politische Lied vom \u201aVorm\u00e4rz\u2018 bis in die Gegenwart<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.wuw.pl\/product-pol-12396-Literatura-a-polityka-Literatur-und-Politik-Tom-5-EBOOK.html\" target=\"_blank\" rel=\"noopener\">In: Joanna Godlewicz-Adamiec und Tomasz Szybisty (Hrsg.): Literatura a polityka \/ Literatur und Politik, Verlag der Universit\u00e4t Warschau: Warschau 2020, S. 141-154 \u2192<\/a><\/span><\/li>\n<li><span style=\"color: #000000; line-height: 1.5;\"><strong>The Author \u201cB\u00f6ll\u201d between Privacy and the Public Sphere \u2013 Toward a New Concept of Contemporaneity<\/strong><br \/>\nDer private \u203aB\u00f6ll\u2039 als Autor der \u00d6ffentlichkeit. Von \u00bbZeitgenossenschaft\u00ab zu \u203aZeitgenossenschaft\u2039<br \/>\n<a style=\"color: #000000;\" href=\"https:\/\/www.vandenhoeck-ruprecht-verlage.com\/themen-entdecken\/literatur-sprach-und-kulturwissenschaften\/germanistik\/neuere-deutsche-literaturwissenschaft\/27531\/politischen-konjunkturen-zum-trotz?c=1745\" target=\"_blank\" rel=\"noopener\">In: Renata Dampc-Jarosz und Pawel Zimniak (Hrsg.): Politischen Konjunkturen zum Trotz. Heinrich B\u00f6lls Wirklichkeitsrepr\u00e4sentationen, Studien zum 100. Geburtstag des Schriftstellers, Formen der Erinnerung, Band 67, herausgegeben von J\u00fcrgen Reulecke und Birgit Neumann, V&amp;R unipress: G\u00f6ttingen 2018, S. 71-84 \u2192<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/section>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-33d586901e5b6d28580a1d1bd568b366\">\n#top .hr.hr-invisible.av-av_hr-33d586901e5b6d28580a1d1bd568b366{\nheight:70px;\n}\n<\/style>\n<div  class='hr av-av_hr-33d586901e5b6d28580a1d1bd568b366 hr-invisible  avia-builder-el-41  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-5d676c9ed7be3a08936c51c97e75c1ab\">\n#top .hr.hr-invisible.av-av_hr-5d676c9ed7be3a08936c51c97e75c1ab{\nheight:100px;\n}\n<\/style>\n<div  class='hr av-av_hr-5d676c9ed7be3a08936c51c97e75c1ab hr-invisible  avia-builder-el-42  el_after_av_two_fifth  el_before_av_one_full '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  id=\"musik\"  class='flex_column av-av_one_full-dba02514ec38358acdcb34b7d63743cd av_one_full  avia-builder-el-43  el_after_av_hr  el_before_av_hr  first flex_column_div  '     ><section  class='av_textblock_section av-mnsmpmjr-8cac26e82b223ec73e21e488285c06f7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><h2><span style=\"color: #000000; line-height: 1.3;\">Music and Aesthetic Practice<\/span><\/h2>\n<p><span style=\"font-size: 16pt; line-height: 1.6;\">Alongside academic research, musical and literary\u2011musical works have been developed over many years. This practical experience accompanies and complements theoretical engagement with language, identity, and the public sphere.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-mnsmq3tp-0f9c1f7c440f2ee46c7950335805acb8 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><h2><span style=\"color: #000000; line-height: 1.3;\">Music and Aesthetic Practice<\/span><\/h2>\n<p><span style=\"font-size: 16pt; line-height: 1.5;\">Alongside academic research, musical and literary\u2011musical works have been developed over many years, accompanying and complementing theoretical engagement with language, identity, and the public sphere.<\/span><\/p>\n<\/div><\/section><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mnso6fvg-fabe3fc050f19eeeffb287f0b9d7b7c5\">\n#top .hr.hr-invisible.av-mnso6fvg-fabe3fc050f19eeeffb287f0b9d7b7c5{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-mnso6fvg-fabe3fc050f19eeeffb287f0b9d7b7c5 hr-invisible  avia-builder-el-46  el_after_av_one_full  el_before_av_hr  av-mini-hide'><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mnso78nf-a3d67b3e334c2fa89161d90f7c0aaf8f\">\n#top .hr.hr-invisible.av-mnso78nf-a3d67b3e334c2fa89161d90f7c0aaf8f{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-mnso78nf-a3d67b3e334c2fa89161d90f7c0aaf8f hr-invisible  avia-builder-el-47  el_after_av_hr  el_before_av_one_third  av-desktop-hide av-medium-hide av-small-hide'><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-96501fd80a35062338c1cf15886b6bd3\">\n.flex_column.av-av_one_third-96501fd80a35062338c1cf15886b6bd3{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-96501fd80a35062338c1cf15886b6bd3 av_one_third  avia-builder-el-48  el_after_av_hr  el_before_av_one_third  text-container first flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-757caae410f0c6f44227660b640557e7\">\n.avia-image-container.av-av_image-757caae410f0c6f44227660b640557e7 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-757caae410f0c6f44227660b640557e7 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-757caae410f0c6f44227660b640557e7 av-styling- avia-align-center  avia-builder-el-49  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-16306 avia-img-lazy-loading-not-16306 avia_image ' src=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-1030x687.jpg\" alt='' title='DSC02624'  height=\"687\" width=\"1030\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-1030x687.jpg 1030w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-300x200.jpg 300w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-768x512.jpg 768w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-1536x1024.jpg 1536w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-scaled.jpg 2048w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-1500x1000.jpg 1500w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/DSC02624-705x470.jpg 705w\" sizes=\"(max-width: 1030px) 100vw, 1030px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-mnsmrhx1-95fa09e5967365e24e8a555da4da406b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock publikationenstartseite'  itemprop=\"text\" ><p><em>Deine Vorstadt<\/em>, live performance at Rock am Dom (2019).<\/p>\n<\/div><\/section><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-156296d68f173d802095c7ab15199e01\">\n.flex_column.av-av_one_third-156296d68f173d802095c7ab15199e01{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-156296d68f173d802095c7ab15199e01 av_one_third  avia-builder-el-51  el_after_av_one_third  el_before_av_one_third  text-container flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-mnsmttxw-6cb4940606202aac3a3e30d63969b2b5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock publikationenstartseite'  itemprop=\"text\" ><p><span style=\"font-size: 14pt; line-height: 1.4;\">Under the name Deine Vorstadt, musical work was developed over several years in the field of German\u2011language songwriting and DIY production. The projects included studio recordings and live performances and represent a completed phase of this aesthetic practice.<\/span><\/p>\n<p><span style=\"font-size: 14pt; line-height: 1.4;\"><em>Jetzt und Wir<\/em> (2021). Recording and production with Geo Schaller.<\/span><\/p>\n<p><span style=\"font-size: 14pt; line-height: 1.4;\">Streaming <a href=\"https:\/\/open.spotify.com\/intl-de\/album\/6DMee5YRGwzDxHbBZDIsFo?si=KhHB4Sp7QKOxhdEnszcSkA\" target=\"_blank\" rel=\"noopener\">Spotify \u2192<\/a>\u00a0<\/span><span style=\"font-size: 14pt; line-height: 1.4;\"> <a href=\"https:\/\/link.deezer.com\/s\/32WPzoT0xBSJDtaoVeY5Z\" target=\"_blank\" rel=\"noopener\">Deezer \u2192<\/a><\/span><\/p>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-156296d68f173d802095c7ab15199e01\">\n.flex_column.av-av_one_third-156296d68f173d802095c7ab15199e01{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-156296d68f173d802095c7ab15199e01 av_one_third  avia-builder-el-53  el_after_av_one_third  el_before_av_hr  text-container flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-24a03e4eda7c0ac2b084f64343e9f7ee\">\n#top .hr.hr-invisible.av-av_hr-24a03e4eda7c0ac2b084f64343e9f7ee{\nheight:200px;\n}\n<\/style>\n<div  class='hr av-av_hr-24a03e4eda7c0ac2b084f64343e9f7ee hr-invisible  avia-builder-el-54  el_before_av_textblock  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-mnsmuaj5-9effe3d35a5d20592ffd01346b745c1b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock publikationenstartseite'  itemprop=\"text\" ><p><span style=\"font-size: 14pt; line-height: 1;\">Under the name Clio Heiser, an independent project emerges at the intersection of music and literature. It connects German\u2011language literary texts, particularly poetry, with a reduced musical form.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-av_textblock-06731cf8bbf5fef29fead066568cf1c2 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock publikationenstartseite'  itemprop=\"text\" ><p><a href=\"https:\/\/clioheiser.de\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 18.6667px;\">clioheiser.de \u2192<\/span><\/a><\/p>\n<\/div><\/section><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-3b2307b683e43c7f5a7eb383cfb8815f\">\n#top .hr.hr-invisible.av-av_hr-3b2307b683e43c7f5a7eb383cfb8815f{\nheight:80px;\n}\n<\/style>\n<div  class='hr av-av_hr-3b2307b683e43c7f5a7eb383cfb8815f hr-invisible  avia-builder-el-57  el_after_av_one_third  el_before_av_section  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='kontakt'  class='avia-section av-av_section-8247752e0afefa9c946df7f827b055cf socket_color avia-section-large avia-no-shadow  avia-builder-el-58  el_after_av_hr  avia-builder-el-last  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-15225'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_fourth-7901fef1606d866c437ac5579b1f59d7\">\n.flex_column.av-av_one_fourth-7901fef1606d866c437ac5579b1f59d7{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_fourth-7901fef1606d866c437ac5579b1f59d7 av_one_fourth  avia-builder-el-59  el_before_av_one_fourth  avia-builder-el-first  first av-break-at-tablet flex_column_div av-zero-column-padding  '     ><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_fourth-8708a100e1e1c2e2668b27909d4be8c3\">\n.flex_column.av-av_one_fourth-8708a100e1e1c2e2668b27909d4be8c3{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_fourth-8708a100e1e1c2e2668b27909d4be8c3 av_one_fourth  avia-builder-el-60  el_after_av_one_fourth  el_before_av_one_fourth  av-break-at-tablet flex_column_div av-zero-column-padding  '     ><section  id=\"forschung\"  class='av_textblock_section av-mnsmxyst-9e01a106d039a0690be4891766bdae3e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-mini-hide avia_textblock'  itemprop=\"text\" ><h2><span style=\"color: #000000; line-height: 1.6;\">About This Website<\/span><\/h2>\n<\/div><\/section><br \/>\n<section  id=\"forschung\"  class='av_textblock_section av-mnsmxtgh-d4fa5ad2e71c25538ad3bda78bfcef2a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-desktop-hide av-medium-hide av-small-hide avia_textblock'  itemprop=\"text\" ><h2><span style=\"color: #000000; line-height: 1.3;\">About This Website<\/span><\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-mnsmupmu-ecb208b81688de7913107f295ad73c70 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>This website documents the academic, didactic, and artistic work of Clemens Fuhrbach. It focuses on questions of language, literature, identity, and social participation. The site is conceived as a working and project\u2011based space and is updated on an ongoing basis.<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_fourth-699248f23a309dda907cee54960fbaa0\">\n.flex_column.av-av_one_fourth-699248f23a309dda907cee54960fbaa0{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_fourth-699248f23a309dda907cee54960fbaa0 av_one_fourth  avia-builder-el-64  el_after_av_one_fourth  el_before_av_one_fourth  av-break-at-tablet flex_column_div av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mnsmx9vp-1a9c3e7b9155a219d72f075c2ff6d8c5\">\n#top .av_textblock_section.av-mnsmx9vp-1a9c3e7b9155a219d72f075c2ff6d8c5 .avia_textblock{\nfont-size:16px;\n}\n<\/style>\n<section  class='av_textblock_section av-mnsmx9vp-1a9c3e7b9155a219d72f075c2ff6d8c5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3><span style=\"line-height: 1.6; color: #000000;\">Contact<\/span><\/h3>\n<p><span style=\"line-height: 1.3;\">Clemens Fuhrbach<\/span><br \/>\n<span style=\"line-height: 1.3;\">Remscheider Str. 87<\/span><br \/>\n<span style=\"line-height: 1.3;\">51103 Cologne<\/span><br \/>\n<span style=\"line-height: 1.3;\">Germany<\/span><\/p>\n<p><span style=\"line-height: 1.3;\">+49 178 \/ 238 66 28 <\/span><\/p>\n<p><span style=\"line-height: 1.3;\"><a href=\"mailto:mail@clemensfuhrbach.com\" target=\"_blank\" rel=\"noopener\">mail@clemensfuhrbach.com<\/a><\/span><\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_fourth-156296d68f173d802095c7ab15199e01\">\n.flex_column.av-av_one_fourth-156296d68f173d802095c7ab15199e01{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_fourth-156296d68f173d802095c7ab15199e01 av_one_fourth  avia-builder-el-66  el_after_av_one_fourth  avia-builder-el-last  text-container av-break-at-tablet flex_column_div av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-da8dd302df8f9b77d2be03edf276fb48\">\n.avia-image-container.av-av_image-da8dd302df8f9b77d2be03edf276fb48 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-da8dd302df8f9b77d2be03edf276fb48 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-da8dd302df8f9b77d2be03edf276fb48 av-styling- avia-align-center  avia-builder-el-67  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-16278 avia-img-lazy-loading-not-16278 avia_image ' src=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-773x1030.jpg\" alt='' title='20200512_173315'  height=\"1030\" width=\"773\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-773x1030.jpg 773w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-225x300.jpg 225w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-768x1024.jpg 768w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-1152x1536.jpg 1152w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-scaled.jpg 1536w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-1125x1500.jpg 1125w, https:\/\/www.clemensfuhrbach.com\/wp-content\/uploads\/2025\/04\/20200512_173315-529x705.jpg 529w\" sizes=\"(max-width: 773px) 100vw, 773px\" \/><\/div><\/div><\/div><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_2'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-15225'><div class='entry-content-wrapper clearfix'>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15225","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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